![]() The Elite Records single "Love Meeting Love" brought the band to the attention of Polydor Records, with whom they signed their second recording contract. Lyrics were generally written by the Gould brothers while King, Badarou and Lindup concentrated on Level 42's music. The two men developed a complementary style, with Lindup's falsetto frequently used for harmonies and choruses while King's deep tenor led the verses (although Lindup would also sing entire songs on his own). Having considered recruiting a singer, the band eventually settled on giving King and Lindup the vocal role. ![]() They were also encouraged to branch out into vocal music. Although he never formally joined the band, Badarou would become a fifth member in all but name: co-writing songs, playing keyboards and synthesizers in the studio and co-producing the records.ġ980–1983: Early albums ( Level 42, The Early Tapes, The Pursuit of Accidents) Īfter they were seen jamming together, Level 42 were invited to sign to Elite Records (a small independent label) in 1980. The name of the band is a reference to the novel The Hitchhiker's Guide to the Galaxy by Douglas Adams, in which " 42" is the answer to "the ultimate question of life, the universe, and everything." Having maintained their links with Wally Badarou, Phil Gould and Mark King invited him to work with Level 42. The developing band (at this point, entirely an instrumental act) took the name Level 42 and settled on a working line-up of King (bass guitar, percussion), Lindup (keyboards, percussion), Boon Gould (guitar, saxophone) and Phil Gould (drums). A notably flexible musician and quick learner, he had observed visiting American funk players demonstrating the thumb-slap bass guitar technique and developed his own take on the style in a matter of weeks. At the time, King was working in a London music store. With Phil Gould and Boon Gould established (respectively) as the most accomplished drummer and guitarist in the quartet, King opted to learn bass guitar instead. Mark King was primarily a drummer (although he also played guitar) but had recently sold his drum kit to pay for transport back to the UK after an ill-fated European venture. Initially, instrumental roles were flexible, with Boon Gould also playing bass guitar and saxophone and Lindup doubling on keyboards and drums. The developing band's original guitarist was Dominic Miller (later to find fame playing with Sting), but he was replaced by Boon Gould on the latter's return from working in the United States. In late 1979, Phil Gould introduced Mark King and Mike Lindup to each other, and all of them began playing together in loose rehearsal sessions, developing their own jazz-funk fusion style. ![]() While working with M, they became acquainted with Afro-French keyboard player Wally Badarou, who played synthesizer on M's US number one single " Pop Muzik". Both musicians found that they had the same feelings about musical heroes: Miles Davis, John McLaughlin, Keith Jarrett and Jan Hammer.īy 1979, Phil Gould and Mark King were both based in London and became involved in Robin Scott's pop project M. Phil Gould went on to study at London's Guildhall School of Music and Drama, where he met keyboard player Mike Lindup in a percussion course. Mark King and the Gould brothers (Phil and Rowland, the latter generally known by his nickname Boon) were all brought up on the Isle of Wight and played together in various bands during their teenage years. History 1979–1980: Prehistory and formation
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